AFTERwords


Afterthoughts

Total Recall

Differences

Connectivity
Thanks for visiting ... do come back folks!
Welcome. Some of the documentation here extends TMDN beyond its main conclusion. It provides additional information, context, reflections, and/or I talk about other events, news, updates, FAVs, and even my own relative conclusions that come to mind. You could say I close loose ends or any other relevant and consistent afterthoughts that I might have missed over the years. It happens.
Tell the whole story of American Tejanos
By R.J. Molina
Caller-Times Columnist Murphy Givens’ series of six articles of South Texas’ hangings is quite disturbing to American Tejanos. They reminded me of late 1800s Wild West dime magazines with western stories that stretched the truth across the USA.
Many American Tejano families’ descendants such as I know and understand our history, the good with the bad. Givens doesn't mention American Tejanos' positive contributions to Texas and the USA. As he emailed me years ago, ‘It is at the discretion of the writer.”
Givens Wild West Texas hanging articles convey one side of history. Many were lynchings of innocent people. These victims were honest innocent vaqueros and settlers descended from Indian, Spanish and Mexican heritage. Thousands of American Tejano settlers came from firmly established families in present-day South Texas prior to America’s independence much like the British Pilgrims in the New England states.
American Tejanos were predominantly not respected like other U.S. citizens. Historically, American Tejanos by heritage and genealogy were more rooted in the Southwest, yet even today Tejanos are considered foreigners in their own land.
An example of a devious way of changing the historical facts was the so-called 1857 Mexican Cart War. Efficient Mexican (American) freighters were hung in Goliad because they were better at this type of business than Anglo freighters. When Tejanos shot back defending themselves as a group, they were “rounded up and hung.”
There was no Mexican Cart War, just Tejanos trying to make a living the American way and dying while defending their Second Amendment rights as citizens. American Tejano freighters carried rifles to defend themselves against predators and thieves. They were truly U.S. citizens according to the 1848 Treaty of Guadalupe Hidalgo but were called and considered Mexican freighters.
Mr. Givens glorifies Texas' old-time vigilante system of justice of hanging without trial by jury. Perhaps speedy justice deterred crime among its citizens and gave American citizens the satisfaction of justice served even it they hung the innocent.
The truth is that many of these malicious lynching was the result of forced confessions. The innocent Tejano victims just pleaded guilty to stop the brutality and/or torture by the vigilante groups.
I do appreciate Mr. Givens' knowledge of South Texas history but he tells one side of the story or one part of Texas’ ethnicity. Most of his articles about 19th century Texas fail to mention American Tejanos' positive contributions in Texas and the USA.
In the 1800s and early 1900s, quite a number of “northern” American speculators and ill-willed men secretly killed innocent American Tejano patriarch family members with vast land holdings, which left the lands of the American Tejano in tax forfeiture status.
Back in those days, the Texas and U.S court system failed to properly follow the due process of tax forfeitures on the victims of land-grabbing injustice. The law of due process was an opportunity for citizens to resolve any land-deeded claims or tax forfeiture. The American right of due process of tax forfeiture was not rightfully given to most of the families of American Tejano survivors who attempted to retain their land.
The Texas’ method of tax forfeiture on Tejano lands was quick, fast, and devious and resold at very cheap prices. Most of the time, these Tejano families were not permitted to enter the courthouse or participate in their own land tax forfeiture sale by order of the sheriff who was also the tax assessor and collector. Rest assured that the local county sheriff was secretly in collusion with big landowners who placed him in office.
The loss of their family’s entire land grant heritage was more than emotionally heartbreaking with its prosperous oil, gas and cattle financial family futures mostly gone forever. This also left a deeply disappointed ancestral story among its descendants. (There were 363 Spanish and Mexican established land grants in South Texas alone.)
American Tejano historians consider the 1870s as one of most brutal and racially influenced times in the killings of innocent Mexican Americans and Mexican citizens in South Texas. Tejanos and Mexicans did kill some innocent people because of the malicious abuses toward their families by U.S. cattle rustlers and malicious thieves on both sides of the border. These killings occurred because Anglo-American accusers were hardly brought to justice.
Tejano historians have uncovered documented information of the enormous number of vigilante hangings of innocent American Tejanos and Mexicans. These hangings were much like those of African Americans in the Deep South. Yet, it was the signs of the times much like the Midwest killings of innocent Kansas farmers by big ranch owners. It still was not right in the eyes of God.
Also, during the 1870s in South Texas, there was an tremendous influx of Civil War Confederate veterans who stirred the flames of racial hatred. In South Texas, these former Confederates took their anger out against all “Mexicans,” blacks and carpetbaggers.
Most of the hanging victims in South Texas were American Tejano ranchers and vaqueros who were U.S. citizens with inalienable rights and were mostly innocent. They were hung because they “looked alike” or had been forced to confess. Unbeknownst to the arrogant former Confederate vigilante groups was that nearly 10,000 Tejano vaqueros fought on both sides in the American Civil War.
In one documented example of a seemingly justified South Texas hanging, a vigilante group concluded that there was no way a Mexican vaquero (Mexican or U.S. citizen?) could have a new saddle and thus the saddle certainly was the one stolen. But Anglo-Americans who blatantly killed American Tejanos were rarely brought to justice.
These vast militia vigilantes had a dastardly point of view of the American Tejano frontier settlers. They thought all Tejanos were Mexican citizens and therefore, they were trespassers and bandits in the USA. Such is the case with Givens' hanging articles, he cannot be sure if these hanging victims were American Tejano citizens or Mexican citizens.
In the 1800s, the Anglo-American history books and diaries did not truly acknowledge American Tejanos as contributors to Texas or our USA. These writers rather mentioned Tejanos as Mexicans, as if they were foreigners. Therefore, the reader has disturbing visions of illegals committing crimes on U.S. soil, which continues to be a serious misunderstanding. Perhaps it was their way of justifying their wicked ways of land grabbing.
American and Texas history books tend to forget that American Tejano settlers had for centuries dealt in ranching development and in international commerce with Native American Indians, Spanish freighters and later with Mexican and U.S. freighters.
By the late 1800s, many Tejano settlers and commerce freighters established hundreds of miles crossroads connecting with South Texas’ historic Spanish and Mexican land grant ranches. The truth was that Tejano ranching, commerce; religious events, family celebrations and the area economy had prospered over the centuries.
There are thousands of untold stories of American Tejano history and most of them are good. Descendants of American Tejanos are still very proud that we are American and Texan, and we continue to enjoy the fruits of our labor and education in the USA.
R.J. Molina is a member of the Tejano Monument project, the JHC Historical Commission, Hebbronville Museum and Tejano Civil Rights Museum in Corpus Christi.






Beyond the homepage, the other side of ... TM
Music like life itself, I believe, can take us through so many roads, so many different paths, traveling through city after city, but more importantly we also learn other things from so many people we meet along the way. That is the beauty of life itself. Having said that it's always a non-stop day for me, a full day of things to do around here. I am busy, yes, but I still find the time to read music appreciation books.
Currently I'm reading two books by Daniel J. Levitin - "The World In Six Songs" & "This Is Your Brain On Music" - on the powerful impact of music and the arts ... [The healthy music human experience] ... and of course love military jets/love the beautiful sound of the flute. I do have other interests such as world history, United States history, photography, computers, AI, and digital effects.
I use Photoshop and other SW to layout my own pictures of the universe, creation, and astronomy, together, in one collage.
Which brings me to the other side of earthly things, the other TM. Comparatively speaking and in total music essence, it is the indispensable quality and the human nature of our beautiful tejano music that compels me/us to do more. But, but presently we're all living in a synchronized, chaotic, market-driven, music-driven modernistic society.
On the flipside of normal things and for some unknown reason or just being Mike Carmona in music parallelism, I have always considered ... "Time" ... an important and continuous progression of existence and very important to me. I simply define it as one's lifetime; a person's period of greatest activity or engagement; one's experience during a specific period or a certain occasion; also, a moment in time or in the past.
But ultimately, I think, it is not what you get or even what you give. It is what you become in life.
"TM? Is there 'one single tejano music agenda' or issue that you are truly proud of?" Yes, it would be this one below:
The time when I suggested to all the TAB members the idea of a new tejano music alliance for the tejano music industry. Unbeknownst and without of the knowledge of the majority of most tejanos across the United States, there was a small group during the TAB years that decided to do something about uniting our tejano music industry.
The major participants were Javier Villanueva, Eddie Perez, Dora Arteaga, Roy Ramos, and TEJANOmike. There was another San Antonio girl by the name of Sandy that joined later. At the time we started using Yahoo Conference to communicate with all the members and getting to the business at hand; even completed a mission statement and other important plans and strategies for the new alliance.
We must of had 4-5 of these important meetings and after many debates back and forth, we finally decided to call it ... THE NATIONAL TEJANO MUSIC ALLIANCE. During the last sessions and meetings we voted Javier as the first president of this new alliance; TM as the VP; and the other members had titles such as treasurer, media director, and Internet and Graphics consultant, etc.
With the help of David Chavez and during this time frame, we also setup a forum during one of the Las Vegas Convention events. Sandy and 'JV" had Chente and Jimmy Edward as the main speakers and complete with a big banner in the conference room. It was a great workshop and a good music/fan connectivity session. Weeks later JV looked at the non-profit app in Austin to get further things going, but this is where most of the participation and involvement came to a slowdown of things; then communication stopped altogether and the idea just died slowly.
Why did it fail? Who was at fault? Hard questions indeed.
I did take some of the heat and blame for the complete failure back then, but to clarify things even more, I will add this today:
"Our clear alliance message was lost due to lack of follow-ups between all and/or some of the alliance members, and lack of professional media coverage - and something called, TEAMWORK. In the end, our overall mission also failed because we didn't reach out to other fellow tejanos and tejanas in key states - and across the United States."
That is my assessment and conclusion on the matter, but I will also add that if we would of been somewhat successful, our Onda today would be in a much better creditability with the American mainstream music, and our tejano music industry in a much more profitable position and overall structural classification. End results and to me the most important one: "Our tejano music fans would of seen more tejano music entertainment throughout major cities - including Phoenix Arizona." [By TM and written on April 25, 2013]


As I was saying years ago ...
For starters ladies and gentlemen, I strongly recommend three things that come to mind in this new year. I also think from my own perspective and point of view that they are all in parallel with our present-day music industry. They are:
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We have no present and clear denominator within our infrastructure of our music; and La Onda Tejana
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Our tejano music is in a transformational change that is hard for all of us to understand; causing us to lose focus and the impaired inability to make clear and important decisions
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To some degree our music is not salable or is a marketable product, or in demand by sponsors, buyers, and overall consumers. We have too many independent music labels; we need organization.
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As tejanos I would conclude, we enjoyed the 'Golden Age' of the major labels, and great music years of the 80s and 90s, but somehow we need to bring a "unified and cooperative closure" to the Selena years - AND MOVE ON!
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Yes, move on to the undivided attention of so many other tejano artists that need our tejano support - and with new mentors. We must do this.
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Unbeknownst and unrecognized by so many tejanos today, is that we can have a better future together. The power of one voice is immense.
In contrast and due to the modernization of the world today, our much younger generation of tejanos, tejanas, and musicians I would add, most of them have migrated or changed directions on us tejanos and gone to the R&B world, to rap, gone country, moved to the Latin international route, the Jazz scene, crossovers and at times half tejano music mixed in there with who knows what!
My conclusion and debatable analysis tell me that all these transitional music periods and generations, family fusions, and incomparable age trendsetters - all these elements have brought us to the apparent crisis and tejano division we see and hear today. But I will leave you with the following phrase: "Fortune Favours the bold, fortune Favours the strong, fortune Favours the brave."

What two words relate to TEJANOmike dot net? What are the relevant characteristics of TM? Or this link? Music Narratives
Music narratives are songs that tell a story, whether true or fictitious, through lyrics, melody, rhythm, and other musical elements.
They can be found in various genres, such as rap, country, tejano, pop, and rock. Music narratives can mean "different things to different people, depending on their personal experiences, preferences, and interpretations."
Some possible meanings are:
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Music narratives can be a form of entertainment, as they capture the listener’s attention and imagination with their plot, characters, and emotions.
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They can also be a source of humor, suspense, or surprise, depending on the tone and style of the song.
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Music narratives can be a way of learning, as they convey information, facts, or perspectives about various topics, such as history, culture, society, or politics.
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They can be a way of teaching, as they illustrate moral lessons, values, or principles through their story.
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Music narratives can be a mode of expression, as they reflect the songwriter’s or singer’s personal experiences, feelings, thoughts, or opinions.
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They can also be a mode of communication, as they share a message, a point of view, or a call to action with the listener.
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Music narratives can be a tool for healing, as they help the listener cope with their own challenges, struggles, or traumas.
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They can also be a tool for empowerment, as they inspire the listener to overcome their fears, doubts, or limitations.
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Music narratives can be an art form for appreciation, as they showcase the creativity, skill, and talent of the musicians.
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They can also be an art form for criticism, as they challenge the norms, conventions, or expectations of the musical genre or the society.
Music narratives are "songs" that tell a story through lyrics and music. They can be found in different genres and styles, and they can convey various themes and messages. Afterwords, the thrills, chills, and tears we experience from music are the result of having our expectations artfully manipulated by a skilled composer and the musicians who interpret that music.
Something to remember ...
"For all our music industry failings, all our proud history, and despite our limitations and fallibilities, us Tejanos and Tejanas are capable of greatness. We are a courageous generation, but without imagination and intercommunication, without a
much-needed business alliance, and without total commonality across our country, sadly, we will not advance and or go nowhere."
My concluding thoughts and factoids on my site:
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"Someone who trains to be a musician will create stronger neural connections that link the two hemispheres of the brain to be musically creative."
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"I am just another voice in this complex society we live in ... and in the Internet music trends of today. Hard to say who is right - and who is wrong."
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"In my most inner thoughts and subconscious, I ascertain that Almighty God must have made three things for man. First, He must have created our world for us to live and love one another; He must have created the splendor of the universe for us to see Heaven and His kingdom; and finally, He must have given man the special gift of music for us to understand all His creations."
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Tejano music has gone through a lot of phases since the 1800s. It has fought racism, and political unrest, and has come out as the voice of the people. The Hispanic working-class considered Tejano music a representation of their struggles. Even after all the struggles, the singers that have dedicated their entire lives to this genre, and to preserving the music of their history have kept Tejano music alive.
"Is this TM site the same as TMDC?"
No, it is different. First, I don't play up to date tejano hits like I used to, rather I play what I have on my computer, which is a lot. Secondly, I don't advertise or promote tejano groups like before, now it's more like a quieter zone in my senior world. The thing is every site I've had for over 25 years has been about tejano music, but different.
"Why do you continue to advocate the need to change La Onda?"
Wow! A hard question that I got on my Gmail. Hmmm, realistically tejano music fans, I could write a book on my viewpoint of our music industry, and what we need to do in the next few years. Hard to say why I see our Onda different than others, or why I see the need to be more competitive in the music world. Basically, I can't understand why tejano music cannot go mainstream America when others do it in more professional strategies.
One question here in Sun City West Arizona. "How come you’re links change frequently?"
LOL. I knew that it was coming! Well, I can't stand still at times, or I feel visitors want to hear another song on my homepage, or see different pictures, videos, or like/dislike certain factoids that I write. For now, all I know is that visitors from the US of A, visitors from Italy, Singapore, Russia, Australia, France, and other countries seem to like it, so, bear with me.
"My Voice?!"
No Grammy yet, no Tejano Music Award either! Nada. I sing on all these tracks NOT as a lead singer or trying to compete with Jay Perez or Andrea Bocelli, nope. I only sing on them to have some kind of demo for groups that might be interested in my music and original tracks. That's all.

